ONGOING PROJECTS AND WORKS IN PROCESS
 
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LIVE/FEED (formerly In the Heart of a Chinese Curse) is a movement theatre piece inspired by an apocryphal quote: “May you live in interesting times.” It focuses on the actors’ physical relationships with each other and with the performance space.
 
TEXT:                         Chance D. Muehleck
DIRECTION:              Melanie S. Armer
STAGE DESIGN:       Solomon Weisbard/Ryan Metzler
SOUND DESIGN:      Stephan Moore
COSTUMES:             Candida K. Nichols
 
2007: Open Rehearsal, Grethe Holby Studio
2008: Workshop, Dixon Place
2010: Residency, Brooklyn Lyceum
The Attendants is an interactive performance installation. The dominant set piece is a transparent plexiglass cube. People communicate with the performers by texting to them with their cell phones; the messages appear on screens that surround the cube.
 
CONCEPT:              Chance D. Muehleck
DIRECTION:            Melanie S. Armer
STAGE DESIGN:     Solomon Weisbard
SOUND DESIGN:    Justin Hosek
 
2007: Residency, chashama
 
A Gathering is a performance text that deconstructs theatrical conventions in order to explore questions of identity and bodied presence. It involves three performers and an unseen threat.
 
TEXT:                      Chance D. Muehleck
DIRECTION:           Melanie S. Armer
STAGE DESIGN:    Solomon Weisbard
SOUND DESIGN:   Stephan Moore
 
2008: Residency, Brooklyn Lyceum
bauhaus the bauhaus is an assembly of stylized movement, immersive design, and heightened language that explores the seminal German design school of the 1920s. Like its namesake, it attempts to find a practical marriage between form and function.
 
TEXT:                     Chance D. Muehleck
DIRECTION:          Melanie S. Armer
STAGE DESIGN:   Solomon Weisbard
SOUND DESIGN:  Stephan Moore
VIDEO DESIGN:    Shawn Duan
COSTUMES:          Emily Lippolis
 
2009: Residency, Brooklyn Lyceum
Pitch! (or something sexy) is a self-contained live-action gift box about how we pitch ourselves and our ideas to total strangers. Four performers use found text, scored movement, and minimal design to concoct a surreal blind date with the audience.
 
TEXT:                     Chance D. Muehleck
DIRECTION:          Melanie S. Armer
STAGE DESIGN:   Bruce Steinberg
SOUND DESIGN:  Stephan Moore
COSTUMES:          Candida K. Nichols
 
2010: The Tank